AI design studio for print
Describe your customer's order and attach their files. The agent asks only what changes the result, shows you the plan with its credits and prepares the file at true size: 300 DPI, bleed, cut line and mirror when your technique needs it.
Trial: $4, 100 credits that never expireSee pricing
Activity
I need 200 die-cut stickers of the coffee shop mug. Here's the logo.
mug.png64 pxmeasured mug.png stretched ×1.27 horizontally
high · measuredmug.png stretched ×1.27 horizontally
No issues
Done00:21.8
Spend35 creditscap 100 credits
Example recreated from the studio's real flow. Times and credits are illustrative.
39templates
from the jersey to the die-cut sticker, to the exact size
5techniques
sublimation, DTF, DTG, HTV and digital print
300DPI
at exact physical size, in millimeters
7sizes
from XS to 3XL, with the crest and sponsors at their size
100credits
cap per order by default, adjustable
§ 01How it works
You talk to the studio like you would to a designer on your team. The agent does the prepress and shows you each decision before it makes it.
Write the order the way it came in and attach everything: images, the spreadsheet with the roster, your reference. No forms or templates to fill out.
If something changes the file—the exact shade of blue, the jersey cut, where the surname goes—the agent asks with clear options or color swatches. The rest it works out and tells you.
Before it produces, you see each step and the credits it will use. No AI image is generated without an approved plan, and every order has a credit cap.
The print check looks at resolution, safe zone, bleed and semi-transparencies; if you shared a reference, the agent compares it with the work before delivering. It exports 300 DPI PNG with a color profile, PDF with marks or a cut line, and one file per player and size.
§ 02Capabilities
The agent runs every piece across the prepress bench and checks what you would, in the order that matters: sharpness, color, size, bleed, cut and mirror. At the end, the piece comes out measured and ready.
Ready to print
Mirror optional, depending on the techniqueIt turns on by itself for sublimation; you can switch it off.
The customer's logo arrives at 64 px. It's traced to vector in 3 colors and prints sharp at 300 DPI, without redrawing it.
If the shade matters, the agent shows you options and locks in the exact value, not a lookalike.
The piece is built in millimeters, to the size you asked for and at the resolution that size needs.
The background runs past the cut so no white edge shows, and everything important stays inside the safe zone.
It traces the outline 3 mm from the art, joins the 2 loose parts into one line and exports it as the CutContour spot color.
For sublimation the file comes out mirrored: it's on by default, and it's a setting, not a requirement. Turn it off when you export or piece by piece.
Ready to print
Measured and checked: 300 DPI, exact color, bleed, safe zone and cut line.
Full teams, gang sheets and tumblers: the same checks, at scale.
Patterns XS–3XL
Set-in sleeve with crew or V-neck, raglan, women's cut and shorts. The garment scales from XS to 3XL; the crest and sponsors keep their size.
Full teams
Upload the list and each player comes out with their surname in an arc and their number. Long surnames compress without distorting.
| # | Surname | Size |
|---|---|---|
| 9 | JOHNSON | M |
| 10 | WILLIAMS | L |
| 7 | RODRIGUEZ | S |
| 4 | BROWN | XS |
| 23 | DAVIS | XL |
| 1 | MILLER | 2XL |
| 15 | MONTGOMERY | M |
| 11 | WILSON | 3XL |
DTF gang sheet
It lays the designs across the width of your roll and rotates them where they fit best. This 22.8 in sheet goes from 36.9 in to 27.7 in long: 25% less film.
Mugs and tumblers
You design on a rectangle and the studio curves it when you export, so the text comes out straight on the tumbler.
And also
§ 03Creative control
The agent proposes and builds the piece; you decide. It lives on a shared canvas, with layers and measurements in millimeters: what you change by hand, the agent sees on its next step and adapts to. And every change, yours or its, can be undone.
Conversation
Card for my café: the logo on the left, my details on the right and the brand orange.
I built the card: logo on the left and the details aligned to the right. It's yours: move it or change it whenever you like.
I saw your changes: you moved the name and changed the stripe to green. I raised the title to follow the name and carried the green over to the logo and the brand.
History
Recreated example: what you do by hand stays in the history, next to what the agent did.
If something changes the file, the agent gives you clear options or color swatches. It doesn't choose for you.
You see each step and its cost, and you approve it. With no approved plan, no AI image is generated.
Layers, measurements in millimeters, alignment and an inspector: move, recolor and type whenever you want, and undo what you don't like.
If you attach a reference, before delivering the agent puts it next to the work and fixes what doesn't match.
Before delivering
If you share a reference—a garment mockup, a photo, the customer's design—the agent puts it next to the work, in the same framing and with guides every 10%, and checks element by element. What doesn't match, it fixes.
What can be measured (art tucked into the hem, borders built from copies, stretched customer art) the studio measures itself; it doesn't depend on a model's opinion.
The border falls 31% into the hem: it won't show on the garment.
FixMove it up to the hem line.
The crest is 18% smaller and 14 mm lower than in the reference.
FixScale it and move it; don't redraw it.
§ 04Two trades, one studio
The same agent serves both trades. Each has its own page, with live cases.
Apparel
Jerseys by size, names and numbers from your spreadsheet, mugs, tumblers, lanyards, flags and nested DTF gang sheets.
Print shop
Stickers with the cut line traced on its own 3 mm from the art and as a CutContour spot color; nested sticker sheets, labels, business cards and flyers with bleed.
§ 05Credits under control
Order · League uniformExample · in credits
Total36 credits
§ 06Plans
Plans give you credits every week or every month, with no commitment. Want to try the studio before you subscribe? The trial is a one-time $4 and comes with 100 credits that never expire.
Trial · paid once
$4
To try it first
100 credits that never expire
$0.04 per credit, the same as on Weekly, and it never expiresSee what's included
$10/ week
250creditsevery week
$30/ month
1,000creditsevery month
Subscribing lifts the trial limits, and your credits stay with you.
§ 07FAQ
It reads your customer's order and files, asks only what changes the result, proposes a plan with its credits and, once you approve it, produces the piece: it builds it to size, places and corrects the art, traces the logo to vector, draws the cut line, runs the print check and exports. Every step shows up in the conversation.
There are two plans with credits: Weekly, $10 per week with 250 credits, and Monthly, $30 per month with 1,000 credits. A credit is cheapest on Monthly: $0.03. If you'd rather try it before you subscribe, the trial costs $4 once, with no renewal, and comes with 100 credits that never expire. There is no free version, because every AI call costs real money. A typical agent task uses between 30 and 40 credits, and an AI image adds about 10; measurements, bleed, gang sheets and export cost nothing. The details are on the pricing page.
An image AI draws, but it doesn't know millimeters, DPI, bleed or cut lines. Here the agent decides what to do, and the studio's exact tools carry out every measurement. Your customer's art is placed, cropped or traced to vector; it isn't redrawn. AI generation is optional and only runs with an approved plan.
No. Tell it the way you would tell a designer and the agent handles the prepress: measurements, resolution, bleed, mirror and cut. If you do know it, the studio is a canvas with layers, millimeter measurements and an inspector to adjust everything by hand.
You are. What changes the file, it asks you with clear options; nothing that spends credits runs without your approved plan, and every change can be undone. You can take the canvas at any moment: on its next step the agent sees what you changed by hand.
It can happen. That's why the print check looks at resolution, safe zone, bleed and transparencies, and why nothing is final: you undo, fix it by hand or ask again. When it's done, the agent tells you honestly what ended up different from the reference.
Yes, when you attach a reference, like a garment mockup: before delivering, it puts the work next to it, in the same framing, and fixes what doesn't match; the studio also measures on its own the art tucked into the hem, borders with seams and stretched art. It's a second look, not a guarantee: today it's tuned for garment replicas with a mockup, and for stickers and cards the safety net is the print check.
The agent works with language and image models from providers such as Google and Anthropic. The exact operations (measurements, tracing to vector, recoloring, the cut line, the print check and export) run in the studio itself. Upscaling and cutting out with the studio's own AI have a fixed price in credits (2 credits and 1 credit), and AI images are only generated with an approved plan. The providers' keys live on the server and never reach your browser.
The agent stops. Every order has its limit—100 credits by default—and there's another total for the whole studio; both are adjustable. What it already did stays in the project, so you can take it from there by hand. And the credits that get deducted come from what the provider charged, not from an estimate.
Tell the agent about it, approve the plan and get the files. You set the cap; the studio keeps count of your credits.
Trial: $4, 100 credits that never expireSee pricingAlready have an account? Log in